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Upper Quintet ( Vol 5):



From Lagos backstreets to Accra studio basements, a new cadre of sonic disruptors is bending genres and telling stories that oscillate between personal rage and cultural reverence. As African music continues its evolution into a spectrum, artists like Maya Amolo, Deji Moscato, Eru, Princeton South, and AlorG are proving that there’s ample space outside the mainstream for innovation, soul, and sound experiment.


Welcome to Volume five of the Upper Quintet, shining the spotlight on five emerging acts carving their own lanes with unapologetic intimacy and sonic boldness.





Maya Amolo: Guidance from the Inside Out

With her latest single “Guidance,” Kenyan R&B singer Maya Amolo continues her metamorphosis into a voice of serene rebellion. Where some seek closure in heartbreak, Maya seeks clarity. The single is a quiet anthem—a piano-laced meditation on love that doesn’t demand, only aligns. Her lyric, “Anytime I’m needing guidance, we just ride the wave,” is a mantra for the generation who values peace over performative romance.

Maya’s sonic palette draws inspiration from soul, jazz, and ambient textures, crafting music that whispers but never disappears. Her rise is slow but sure, and in a landscape obsessed with virality, her insistence on depth makes her all the more magnetic.







Deji Moscato: The Jersey-Born Sonic Nomad


Deji Moscato is proof that diaspora artists aren’t just exporting Afrobeats—they’re internalizing it. Hailing from New Jersey, Deji merges R&B sensitivity with African swagger. His track “Angel Eyes,” released on July 4, 2025, adds to a catalog of emotive cuts, including “Trust Issues” and “Above My Head.”

With remixes of Fireboy and Roddy Ricch under his belt, he understands the value of cross-pollination. But it’s in his original work that Deji’s strength lies: voice, vulnerability, and vision. His modest streaming numbers belie a quietly growing movement of listeners drawn to his genre-blurring honesty.





Eru: The Mystery is the Music


Don’t let the low Spotify listener count fool you—Eru is an enigma on the brink of becoming essential. Her single “Ogbanje” is a haunting, mid-tempo exploration of feminine energy, cultural spirituality, and the metaphoric power of the mystical. As a Nigerian female singer with less than 1,000 monthly listeners, Eru still commands the kind of attention you can’t manufacture.

Her other songs, “Trust Issues” and “For Your Feeling,” confirm her control over tone, mood, and minimalist production. There’s something late-night and ritualistic about her work—as if each track is both confession and incantation. Eru isn’t just building a discography, she’s building a world.




Princeton South: From Praise to Power


Princeton South has carved out a rare space in the Afrobeats world—where gospel meets groove. Tracks like “Radical” “Follow Jesus”, and “Your Love’ read like testimonies in motion. After catching Kanye West’s attention in 2022, Princeton kept the momentum going, dropping records that fuse spiritual fervor with Afro-pop accessibility.

Whether he’s referencing scripture or chanting about resilience, his music always sounds urgent and clean. It’s easy to imagine his songs being played both in clubs and churches—an artist who finds the divine in drums and the sacred in sound.




AlorG: Ghana’s Rebellious Soul


AlorG isn’t just a name—it’s a thesis. With his debut body of work Down I’m a Rebel, the 19-year-old Ghanaian artist makes it clear that he’s uninterested in compromise. From “Free My Mind” to the birthday single “20,” AlorG combines hiplife roots with a deeply personal lyrical edge.

Recorded over seven months in Accra, his work reflects the angst, grace, and complexity of a generation coming of age in a world half-digital, half-devastating. His music doesn’t beg for streams—it dares you to sit with it. And in that defiance lies his promise.






These five artists—Maya, Deji, Eru, Princeton, and AlorG—are not chasing charts. They’re crafting their own languages. They whisper, rage, praise, and mourn through melodies that feel both ancient and futuristic. In a time when the industry is too often focused on algorithmic perfection, The Upper Entertainment celebrates the beautifully imperfect truths these artists dare to tell.

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