Teswess isn’t your typical artist. He’s not about following trends—he’s about setting his own pace. His recent embrace of ‘Afro-Country’ isn’t just a sound; it’s a reflection of his growth as an artist, and it’s giving us a glimpse of his vision for the future of his music.
Born in Nigeria, Teswess’ early years weren’t spent in the world of Afro-Country; like many, his beginnings were grounded in traditional Afrobeats and the broader Nigerian music scene. He honed his craft, finding his voice, but it wasn’t until recently that he began incorporating Country influences into his sound. This shift was more than a sonic experiment—it was a bold statement about his identity as an artist and his desire to create something fresh.
Bill on Me, his latest track, is the perfect example of this evolution. The song dropped around Mother’s Day, and while it’s a beautiful tribute to mothers, it’s also a reflection of Teswess’ changing approach to his music. The track combines heartfelt lyricism with the Afro-Country fusion he’s started to own. It’s personal and emotional, yet it speaks to his growing commercial awareness—dropping it during such a culturally significant time shows he’s got his finger on the pulse of both the art and the business side of things.
What’s striking about Bill on Me is how well it balances those two sides of Teswess: the artist and the strategist. The Country elements, subtle yet effective, mix with his Afrobeat roots, making it clear that his sound isn’t just about genre blending—it’s about telling stories in a way that feels natural to him. As someone who’s been deep in the Nigerian music scene, Teswess’ growth into Afro-Country reflects his willingness to take risks and carve out a unique space. While other artists follow the Amapiano wave, Teswess is building his own, one that’s infused with authentic emotion and a deep connection to his roots.
Looking back at his catalog, it’s evident that Teswess has always had a knack for creating music that resonates. His previous tracks laid the groundwork for his shift into Afro-Country, but Bill on Me represents the full manifestation of this new direction. The track isn’t just about tapping into a new genre; it’s about owning it. And it’s working—both commercially and artistically.
Teswess’ journey has been one of reinvention. From an Afrobeats foundation to exploring a new Afro-Country lane, he’s showing that his artistry is always evolving. With Bill on Me, he’s proving that he’s not just another artist riding a wave—he’s here to create something that lasts. As he continues to develop his sound, it’s clear that the best is yet to come.
